About Writers Workshop
Glory be to Mahakala. It is now 2008. I am three score and nineteen. Time for some home truths. Because WRITERS WORKSHOP has close to 3000 separate titles in its checklist (published over 50 years 1958-2008), and because it has averaged around 100 titles each year since 1995, there is a misconception that it is an Indian publishing leviathan. (No other publisher in India has that many titles on its annual list.) The truth is much less awesome. WRITERS WORKSHOP has no office; it operates from my residence, from the living-room and a multipurpose bedroom. It has no secretary; my “secretary” is a three-tiered Godrej filing cabinet. It has no editor, no “readers” to inspect, evaluate and OK typescripts; I do all three tasks. It has no proofreader; I perform the nitty-gritty of deleting, accreting and correcting. It has no “assistant” to acknowledge or follow up letters; I do all that too. It has no typewriter; I reply in longhand. It has no retail or wholesale distribution “outlet”; there is only a cubby-hole of a kiosk at my residence (8 feet x 4 feet roughly) called the Book Nook, where a dedicated young assistant attends to intermittent sales of WW books. This Lake Gardens kiosk opened in 1998, 40 years after WW’s inception.
How then has WW survived? Without plush foundations to back it, without advertisement, without large-hearted patrons? Initially, by the skin of our teeth (1958-1964). Then (1965-1990) by my visits to hard currency lands, specially Great Britain, the USA and Australia on lecture assignments and visiting professorships on two dozen or so occasions, and pumping the shekels thus earned to keep alive a gasping ideal.
Alternative publishing is desperately needed wherever commercial publication rules. WW is not a professional publishing house. It does not print well-known names; it makes names known and well known, and then leaves them in the loving clutches of the so-called “free” market (which can be and is very cut-throat and very expensive). It is not sad, it is obnoxious, to plead, as publishers do, “I will not publish poetry because it does not sell.” Most English book publishing today in boom-time India and outside is book-dumping. There is a nexus between high-profile PR-conscious book publishers, semi-literate booksellers, moribund public and state libraries, poorly informed and nepotistic underlings in charge of book review pages and supplements of most national newspapers and magazines, and biased bulk purchases of near worthless books by bureaucratic institutions set up–believe it or not!–to inform, educate and elevate the reading public.
Because WW goes in for serious creative writing, and because there is no satisfactory distribution network for such writing, its terms of publication are unique. I must be the only publisher in the world who knows when and where every book is sold; I have the name and address of every buyer of a WW book. Upon my acceptance of a typescript, an agreement form is sent to the writer. All copyright remains with the writer. Poetry appears in 350 copies; prose in 500. Ten per cent (35 copies of the poetry book, 50 of the prose) is given in lieu of royalty. The writer is also expected to make an advance purchase of 100 copies of his or her book, for sale or distribution as he or she pleases. Printing is done in Calcutta hand operated presses, situated in the residences of their owners. The whole process is a cottage industry style low-key entrepreneurship, in the belief that small is not only beautiful but viable as well. Vanity and sponsored publishing? Yes, I am humanly vain about it and I do sponsor what I think is good writing. If any lover of literature will offer to subsidize, with no strings attached, striking new work by talented Indian poets, fiction-writers and belles-leftists, please get in touch with me. The gesture will be acknowledged, appreciated, accepted, and implemented. Such Good Samaritan generosities, not market forces, are at the root of civilised and significant publishing the world over.
[Professor P. Lal passed away on 3 November 2010. His son, Ananda Lal, looks after Writers Workshop now. We remain committed to Professor P. Lal’s vision and ideals.]